By Van Pelt John Vredenburgh 1874-1962

ISBN-10: 1110350392

ISBN-13: 9781110350391

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Pure and so in one of two ways. dark, the other the combination will be modem taste, more more agreeable. In general, three or more colors which combine together (when being rotated on a wheel) and form white in certain proportions, will, in the same propor- be agreeable in juxtaposition. any colors broken up in small enough spaces (as a mosaic) to form, in a measure, a tone will be tions, Lastly, agreeable, provided the tone is not itself dirty, or disagreeable. Practically, the way to avoid discords in designing come back, fresh, to a study that has been put aside, and eliminate any dissonant note the first is to glance detects.

Farther back, under the heading of "Character," I said that an artist must love his work. present plea for "simplicity," I want Under this add what to 33 CABBFULNESS; THOUGHTFULNESS. " at first sight a negation of the I say that unwillingness to waste ornament should be the result of the artist's love for And it. is it not so? The man who "stock" up is in a place artist, specifies a machine-made piece of unconcerned as to whether who has where it is it be plastered useless or not. But the spent himself on a bit of detail, is as unhappy at the thought of its desecration as is the mother whose child is carried away captive by barbarians.

A DISCUSSION OF COMPOSITION. 34 the worst fault of I do not all. know anything more painful or pitiful than the kind of ivory carving with which the Certosa of Pavia, and part of the Colleone Sepulchral Chapel at Bergamo, and other such buildings are incrusted. * * * And this is not from the quantity of is it, nor because it is bad work— much of it it looks as if it were inventive and able but because ; only to fit caskets, be put in inlaid cabinej;^ and velveted and as if it could not bear one drifting shower We or gnawing frost.

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A Discussion of Composition, Especially as Applied to Architecture by Van Pelt John Vredenburgh 1874-1962


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