By John Beardsworth

ISBN-10: 1600592104

ISBN-13: 9781600592102

Electronic photographers can now reach the iconic great thing about black-and-white images of their personal paintings! There’s extra to monochrome than simply discarding the colour in Photoshop, yet many books easily deal with it as an afterthought. now not this one! John Beardsworth teaches each significant approach to creating a colour photo black and white, and explains what sort of pictures are most sensible, and why. either formidable rookies and complicated fanatics will find out how to in achieving the richest tonal intensity and stability, use black and white to interpret the topic for the viewer, reproduce old and darkroom techniques, upload artistic and lighting tricks, and convey exhibition-quality prints.  

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Additional resources for Advanced Digital Black & White Photography (A Lark Photography Book)

Example text

Interrupting other colors. This principle gives the film photographer lots of control. For instance, a red filter blocks green and blue, and so it might be your choice if you wanted to darken how a blue sky appears in black and white. Alternatively you might screw a green filter onto the lens if your intention was to brighten foliage and make more tones apparent in a landscape. Left: A huge variety of colored filters is available for contrast control with black-and-white film. Left: An orange filter would darken skies and make clouds stand out on blackĀ­ and-white film, but in the digital age it removes color, leaving this much information to work with.

First reset Photoshop's colors (0) and then add a Gradient Map adjustment layer. Adjusting the Smoothness slider controls how the gradient relates to image luminosity, while other sliders change the gradient's brightness range. In effect, the Gradient Map method lets the user adjust image contrast while also making the image black and white, and perhaps that is behind its cult status on the forums that is otherwise hard to explain. While you can get decent results, you're also ignoring the color channels and losing their creative potential.

40 THE DIGITAL D ARKROOM l-CONVERTING TO BLACK AND WHITE DESATURATE Another easy method is to use Image> Adjustments> Oesaturate or Ctrl/O+ Shift+U, which simply discards the image's saturation value. You can produce the same results by adding a Hue/Saturation adjustment layer and dragging the Saturation slider all the way to the left. Like the Grayscale method, it's a "one size fits all" approach, but it also ignores how the eye responds to colors. Again, the absence of creative input means this is one to avoid.

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Advanced Digital Black & White Photography (A Lark Photography Book) by John Beardsworth

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